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The Shining commission 2 | Tom Whalen
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“I believe that everyone should live in one big empty space. It can be a small space, as long as it’s clean and empty. I like the Japanese way of rolling everything up and locking it away in cupboards. But I wouldn’t even have the cupboards, because that’s hypocritical. But if you can’t go all the way and you really feel you need a closet, then your closet should be a totally separate piece of space so you don’t use it as a crutch too much. If you live in New York, your closet should be, at the very least, in New Jersey. Aside from false dependency, another reason for keeping your closet at a good distance from where you live is that you don’t want to feel you’re living next door to your own dump. Another person’s dump wouldn’t bother you so much because you wouldn’t know exactly what was in it, but thinking about your own closet, and knowing every little thing that’s in it, could drive you crazy.
Everything in your closet should have an expiration date on it the way milk and bread and magazines and newspapers do, and once something passes its expiration date, you should throw it out.
What you should do is get a box for a month, and drop everything in it and at the end of the month lock it up. Then date it and send it over to Jersey. You should try to keep track of it, but if you can’t and you lose it, that’s fine, because it’s one less thing to think about, another load off your mind.
Tennessee Williams saves everything up in a trunk and then sends it out to a storage place. I started off myself with trunks and the odd pieces of furniture, but then I went around shopping for something better and now I just drop everything into the same-size brown cardboard boxes that have a color patch on the side for the month of the year. I really hate nostalgia, though, so deep down I hope they all get lost and I never have to look at them again. That’s another conflict. I want to throw things right out the window as they’re handed to me, but instead I say thank you and drop them into the box-of-the-month. But my other outlook is that I really do want to save things so they can be used again someday.”
The Philosophy of Andy Warhol, pages 144-145.
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The Shining commission 2 | Tom Whalen
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Space Shuttle Atlantis looked out over Earth in this image photographed by a NASA crew member Tuesday. The shuttle arrived at the International Space Station Wednesday for a weeklong stay, and the astronauts quickly unloaded a huge platform full of spare parts. (via)
How Do You Conserve Robert Smithson’s ‘Spiral Jetty’? - NYTimes.com
In 1972, a year before his death in a plane crash at 35, the artist Robert Smithson wrote, “I am for an art that takes into account the direct effect of the elements as they exist from day to day.” And with the creation of his greatest work — “Spiral Jetty,” the huge counterclockwise curlicue of black basalt rock that juts into the Great Salt Lake in rural Utah — he certainly put that conviction to the test.
As part of a conservation effort, the Dia Art Foundation is working to systematically document Robert Smithson’s “Spiral Jetty” over time.